A cross between Stalin and Napoleon

Standing Ovation, Seated

Yesterday was the last day of the Victory Show at Moscow’s Central House of Artist, a monstrous box of concrete and steel that makes you wish the 1970s had never existed, at least architecturally.

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On symbolical dates, such as the WWII Victory Day, its bazaar mix of commercial exhibitions of Russian realist painters, fur trade shows, and antique fairs, is ousted by dedicated retrospectives of hundreds of paintings and sculptures. Fur trade shows quietly come back when the pomp is over,

The Victory Show was depressing. Not because the WWII or any war as a theme is depressing, but because the quality of art assembled to celebrate it was so low, propagandistic and false.

The best works there, actually, were a few drawings made by real war artists during the war. There was horrible truth in the bored faces of soldiers silently waiting for their train to arrive and take them to the front, and most likely to…

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